With todays technology, it is possible to get sharp images even in very difficult situations. Something every photographer has to face, is that every now and then there is a technical limit that impedes him from achieving the result he wanted, no matter how good his equipment is. Continue reading “Natural Light”
This image was taken, during what was perhaps the 10th time that I watched a big soccer game, live in the stadium. In the early years I always took my camera to take the stadiums to do sport photos. Unfortunately, I was always disappointed with them. Sportphotography is mostly very harsh an sharpness is what people want to see. Sometimes motion blur is used to make the action more dynamic, but yet sport images are dominated by harshness. Continue reading “Tenderness”
I recently revisited an art museum in southern Germany, in which I haven’t been for 4 years. The collection was basically the same, yet I was surprised by how beautiful the interior architecture went together with the paintings and sculptures, something I hadn’t noticed back then. The place had a sense of cleaness and homogenity, particularly in terms of lightning, such as I had never noticed anywhere elsed. A week later I went there again, this time alone, to capture the marvelous compositions that this “artificial” place had to offer.
The composition above strongly caught my attention. In a gallery, artworks are usually presented in a very pure environment, making it easy for a photographer to get clean shots. This picture made me finally understand what some artists, Kandinsky in particular, mean when they say “tension”. Continue reading “Tension”
When I saw an retrospective of, William Eggleston, one of the pioneers of color photography, I listened a bit to what the museum guide had to say about him. He used very sophisticated words and somehow rised even the simples pictures to a pedestal of supreme photographic art. As much as I liked his pictures, I find them overall overrated, but that’s a different subject I shall adress eventually.
What I strongly remember, is how the guide said, that for his time, Eggleston managed to bring “picture-unworthy motives” into a museum. It’s fascinating to think that some years ago, when photography was barely concidered an art, a huge amount of motives where considered “not worthy of being photographed” (in German “bildunwürdig). Continue reading “Bildunwürdigkeit”
This is an image I shot roughly 16 hours ago on an (obviously) special occasion. Just as hundreds of people all around me I took hundreds of shots of on of the world’s most famous celebreties. Having neither the equipment, nor accredetation, nor the elbows for it, I was unable to get the “perfect press picture” that mostly everybody tried to get. I caught his face clearly on some, his back on others, flashlights, screaming fans, agressive journalists etc. etc.., but this is THE shot I felt excited about, though is some people might send it straight to the trash bin of his hard drive. Continue reading “Flaws | Magic | Age”
Not long ago I travelled to the environments of the city of Чёрнобыл (Chernobyl). It’s a wasteland that is famous for the biggest desaster in the history of nuclear engineering. Ukranians have very mixed feelings about this place, but generally it is not something they are interested in seeing, since it’s place of bad memory and they believe it is dangerous. Continue reading “Finding Harmony in Chaos”
If you have been following my entries so far, you might notice that this picture is completely off my usual style (if I have any). It’s very simple and bland. It’s composed in a simple manner, has some pretty boring light, a straightforward perspective and some trashy elements like the cars in the back. Yet it is this simplicity of this picture that actually enhances the mood on this cloudy morning, as a good friend of mine (an editor of my blog) was lost in thoughts on this miserably tiny playground. Continue reading “A Style of Sincerety”
When we are somewhere far away from home, everything is exotic, interessting, strange and somehow we end up taking pictures of the same “strange” things over and over again. In my opinion, you should try looking elsewhere, once you have the feeling to have already seen the exact same image you just shot elsewhere. It’s not easy to make pictures that are not self explanatory. Continue reading “Traces”
In my opinion, when a photograph is described as “graphic”, it refers to the abstraction of the image’s elements (that you can often relate to posters). This is usually done with strong contrasts, sharp edges and few elements. Parisian posters like this one from the early 20th century are historical examples from the advertising industry.
This picutre, taken at the “Caminito” in Buenos Aires on a late summer afternoon, is an example of an extremely graphical photograph. The surface is perfectly flat and the elements are strongly contrasted by the colors. Continue reading “Graphism”
A campfire somewhere far out, close to the alps. Particles of the burned wood are blasted into the sky, while the heat radiation warms the gathered crowd, itself hypnotized by the dancing motion of the flames.
Two photographs are shown here. While the above is clearly the one of my preference, I wanted to present both to explain what different focal lenghts do to the perspective and ultimately to you as the viewer of the image. Continue reading “Atmosphere and the point of view”